Ya‘qūb ibn Is′ḥāq al-Kindī (يعقوب بن اسحاق الكندي) (c. 801–873 CE), also known by the Latinised version of his name Alkindus to the Western world, was a Muslim Arab scientist, philosopher, mathematician, physician, and musician. Al-Kindi was the first of the Muslim peripatetic philosophers, and is best known for his efforts to introduce philosophy to the Arab world.
He was born and educated in Kufa, before going to pursue further studies in Baghdad. Al-Kindi became a prominent figure in the House of Wisdom (a library and translation institute in Abbassid-era Baghdad. It is considered to have been a major intellectual center of the Islamic Golden Age), and a number of Abbasid Caliphs appointed him to oversee the translation of Greek scientific and philosophical texts into the Arabic language. This contact with "the philosophy of the ancients" (as Greek philosophy was often referred to by Muslim scholars) had a profound effect on his intellectual development, and lead him to write a number of original treatises of his own on a range of subjects ranging from metaphysics and ethics to mathematics and pharmacology.
The central theme underpinning al-Kindi's philosophical writings is the compatibility between philosophy and other "orthodox" Islamic sciences, particularly theology. And many of his works deal with subjects that theology had an immediate interest in. These include the nature of God, the soul and prophetic knowledge. But despite the important role he played in making philosophy accessible to Muslim intellectuals, his own philosophical output was largely overshadowed by that of al-Farabi and very few of his texts are available for modern scholars to examine. Despite this, he is still considered to be one of the greatest philosophers of Arab descent, and for this reason is known simply as "The Arab Philosopher".
In the field of mathematics, al-Kindi played an important role in introducing Indian numerals to the Islamic and Christian world. He was a pioneer in cryptanalysis and devised several new methods of breaking ciphers. Using his mathematical and medical expertise, he was able to develop a scale that would allow doctors to quantify the potency of their medication. He also experimented with music therapy.
And this is where it gets interesting: Al-Kindi was the first great theoretician of music in the Arab-Islamic World. He proposed adding a fifth string to the 'ud and discussed the cosmological connotations of music. He surpassed the achievement of the Greek musicians in using the alphabetical annotation for one-eighth of a beat. Al-Kindi realized also the therapeutic value of music and tried to cure a quadriplegic boy with musical therapy. He published fifteen treatises on music theory, but only five of those treatises have survived today. In one of his treaties the word musiqia was used for the first time in Arabic, which today means music in Arabic, Persian, Turkish, and several other languages in the world - and is the origin of that word we now know as "music".
I now feel validated with my music entries. Blessed indeed is the benefit of knowledge. Alhamdulillah.
He was born and educated in Kufa, before going to pursue further studies in Baghdad. Al-Kindi became a prominent figure in the House of Wisdom (a library and translation institute in Abbassid-era Baghdad. It is considered to have been a major intellectual center of the Islamic Golden Age), and a number of Abbasid Caliphs appointed him to oversee the translation of Greek scientific and philosophical texts into the Arabic language. This contact with "the philosophy of the ancients" (as Greek philosophy was often referred to by Muslim scholars) had a profound effect on his intellectual development, and lead him to write a number of original treatises of his own on a range of subjects ranging from metaphysics and ethics to mathematics and pharmacology.
The central theme underpinning al-Kindi's philosophical writings is the compatibility between philosophy and other "orthodox" Islamic sciences, particularly theology. And many of his works deal with subjects that theology had an immediate interest in. These include the nature of God, the soul and prophetic knowledge. But despite the important role he played in making philosophy accessible to Muslim intellectuals, his own philosophical output was largely overshadowed by that of al-Farabi and very few of his texts are available for modern scholars to examine. Despite this, he is still considered to be one of the greatest philosophers of Arab descent, and for this reason is known simply as "The Arab Philosopher".
In the field of mathematics, al-Kindi played an important role in introducing Indian numerals to the Islamic and Christian world. He was a pioneer in cryptanalysis and devised several new methods of breaking ciphers. Using his mathematical and medical expertise, he was able to develop a scale that would allow doctors to quantify the potency of their medication. He also experimented with music therapy.
And this is where it gets interesting: Al-Kindi was the first great theoretician of music in the Arab-Islamic World. He proposed adding a fifth string to the 'ud and discussed the cosmological connotations of music. He surpassed the achievement of the Greek musicians in using the alphabetical annotation for one-eighth of a beat. Al-Kindi realized also the therapeutic value of music and tried to cure a quadriplegic boy with musical therapy. He published fifteen treatises on music theory, but only five of those treatises have survived today. In one of his treaties the word musiqia was used for the first time in Arabic, which today means music in Arabic, Persian, Turkish, and several other languages in the world - and is the origin of that word we now know as "music".
I now feel validated with my music entries. Blessed indeed is the benefit of knowledge. Alhamdulillah.
11 comments:
All Praises be to the Almighty. Keeper of all knowledge
theres a reason for everythin
in knowin
& in not.
MashAllah.
An interesting finding. Is there more info about this?
Assalamu'alaikum. Shukran for the info. What strike me the most was this info: "Al-Kindi realized also the therapeutic value of music and tried to cure a quadriplegic boy with musical therapy." All this while, having to work alongside Music Therapist, I've always thought Music Therapy itself originated from somewhere in the western world! So this is a really pleasant surprise for me.
enemy,
I am sure there will be more discoveries from other great scholastic men when I do further research on this, insya-Allah.
They are more advance in their years and thoughts than some of us now. Strange, how cloistered we are...
applewhite,
Alhamdulillah ... actually many things that we thought originated from western/non-Islamic ideas are actually found in Islamic sources, if we do sufficient research on them.
For example, the current legal procedures, law of evidence - were all from Islamic sources but later on in history couched as "western".
SubhanAllah ... many more jewels to unearth :-)
Alhamdulillah. Thanks Hoopoe for sharing this great find.
If Al-Kindi proposed adding a fifth string to the "ud" then who was the one who actually invented the instrument?
From wikipedia:
According to Farabi, the 'ud was invented by Lamech, the sixth grandson of Prophet Adam. The legend tells that the grieving Lamech hung the body of his dead son from a tree. The first 'ud was inspired by the shape of his son's bleached skeleton.
The oldest pictorial record of a lute dates back to the Uruk period in Southern Mesopotamia - Iraq -Nasria city nowadays, over 5000 years ago on a cylinder seal acquired by Dr. Dominique Collon and currently housed at the British Museum. The image depicts a female crouching with her instruments upon a boat, playing right-handed. This instrument appears many times throughout Mesopotamian history and again in ancient Egypt from the 18th dynasty onwards in long and short-neck varieties. One may see such examples at the Metropolitan Museums of New York, Philadelphia, Cleveland, and the British Museum on clay tablets and papyrus paper.
This instrument and its close relatives have been a part of the music of each of the ancient civilizations that have existed in the Mediterranean and Persian Gulf regions, including the Sumerians, Akkadians, Persians, Babylonians, Assyrians, Greeks, Egyptians, and Romans.
According to Master Behruzinia, Iran's leading barbat player, the barbat is the predecessor of the 'ud. The barbat was modified by Arabs and was henceforth called 'ud.
The ancient Turkic peoples had a similar instrument called the kopuz. This instrument was thought to have magical powers and was brought to wars and used in military bands. This is noted in the Göktürk monument inscriptions, the military band was later used by other Turkic state's armies and later by Europeans.
According to Musicolog Çinuçen Tanrıkorur today's 'ud was derived from the kopuz by Turks near Central Asia and additional strings were added by them.
Today's 'ud is totally different than the old prototypes and the Turkish 'ud is different than Arabic 'ud in playing style and shape.
In Greece and Armenia musicians especially use the Turkish 'uds and tunings.
The 'ud was most likely introduced to Western Europe by the Arabs who established the Umayyad Caliphate of Al-Andalus on the Iberian Peninsula beginning in the year 711 AD. 'ud-like instruments such as the Ancient Greek Pandoura and the Roman Pandura likely made their way to the Iberian Peninsula much earlier than the 'ud.
However, it was the royal houses of Al-Andalus that cultivated the environment which raised the level of 'ud playing to greater heights and boosted the popularity of the instrument.
Senor Hooopoe,
May Allah bless you for all your efforts in sharing a subject as tricky as music is.
I remembered listening to the lectures on the topic of Music and Islam by the late Sheikh Ustaz Syed Al-Juffri that have left a lasting 'impression' on me. It touched on the various aspects of the practice of music and it's purpose to name a few... and ended in an 'open' note.
It also mentoned something like, 'a person whose heart is not inclined to the beauty(gift)of life, indeed, have hardened their very own hearts'.
Well I'm glad that my heart 'sings' with joy, embracing the beauty of life everytime, I get to live and breath another day!
Alhamdulillah!
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Salam,
dearest theHoopooe,
I haven't been around too much due to work. May Allah find Pleasure in my Khidmah to Him, inshaAllah :)
I would just like to ask for permission to use this piece about al-Kindi for educational purposes.
Jazakallah khair for typing it :)
Wassalam :)
The (less)Shy One
Welcome back!
Not a prolem. I obtained this info from public sources as well :-)
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