The Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. It was made by the Greek sculptor of the Classical period, Phidias, circa 432 BC on the site where it was erected in the temple of Zeus, Olympia, Greece.
The seated statue, some 12 metres (39 feet) tall, occupied the whole width of the aisle of the temple built to house it. "It seems that if Zeus were to stand up," the geographer Strabo noted early in the first century BC, "he would unroof the temple." Zeus was a chryselephantine sculpture, made of ivory and gold-plated bronze. No copy, in marble or bronze, has survived, though there are recognizable but approximate versions on coins of Elis and Roman coins and engraved gems but a very detailed description of the sculpture and the throne was recorded by the traveller Pausanias, in the second century AD. In the sculpture, he was wreathed with shoots of olive and seated on a magnificent throne of cedarwood, inlaid with ivory, gold, ebony, and precious stones.
In Zeus' right hand there was a small statue of crowned Nike, goddess of victory, also chryselephantine, and in his left hand, a sceptre inlaid with metals, on which an eagle perched. Plutarch, in his Life of the Roman general Aemilius Paulus, records that the victor over Macedon, when he beheld the statue, “was moved to his soul, as if he had beheld the god in person,” while the Greek orator Dio Chrysostom declared that a single glimpse of the statue would make a man forget his earthly troubles.
The date of the statue, in the third quarter of the fifth century BC, long a subject of debate, was confirmed archaeologically by the rediscovery and excavation of Phidias' workshop.
According to a legend, when Phidias was asked what inspired him - whether he climbed Mount Olympus to see Zeus, or whether Zeus came down from Olympus so that Phidias could see him - the artist answered that he portrayed Zeus according to Book One, verses 528 - 530 of Homer´s Iliad :
He spoke, the son of Kronos, and nodded his head with the dark brows,
and the immortally anointed hair of the great god
swept from his divine head, and all Olympos was shaken.
The sculptor also was reputed to have immortalized his eromenos, Pantarkes, by carving "Pantarkes kalos" into the god's little finger, and placing a relief of the boy crowning himself at the feet of the statue.
The circumstances of its eventual destruction are a source of debate: the eleventh-century Byzantine historian Georgios Kedrenos recorded the tradition that it was carried off to Constantinople, where it was destroyed in the great fire of the Lauseion, in 475. Others argue that it perished with the temple when it burned in 425 AD. According to Lucian of Samosata in the later second century, "they have laid hands on your person at Olympia, my lord High-Thunderer, and you had not the energy to wake the dogs or call in the neighbours; surely they might have come to the rescue and caught the fellows before they had finished packing up the swag."